Album and Concert Reviews
On 20 May, the National Concert Hall hosted an evening of concerts to mark 15 years of the Erased Tapes contemporary music label. Drew Stephens reviews.
Composer Jamie Thompson's Adjunct Ensemble has just released 'Sovereign Bodies / Ritual Taxonomy' on the Diatribe label, focusing on the ordeal of asylum seekers. Brendan Finan reviews.
Irish National Opera's 'Werther', featuring mezzo-soprano Niamh O’Sullivan and Italian tenor Paride Cataldo, is currently on a nationwide tour. Brendan Finan reviews a performance at the Solstice Arts Centre.
'History of the Present', a new opera-film by Maria Fusco and Margaret Salmon exploring the trauma of the Northern Ireland Troubles, with music by Annea Lockwood, received its premiere at the Belfast International Arts Festival this month. Jonathan C. Creasy reviews.
The 10th New Music Dublin festival took place last weekend and featured major new works by Donnacha Dennehy, Ann Cleare, Kevin Volans, Karen Power and more. James Camien McGuiggan reviews.
The 2023 Music Current festival took place last week (12–15 April) at the Project Arts Centre in Dublin, featuring works by Francis Heery, Jaki Irvine, Michael Maierhof, Jessie Marino, Simon Steen-Anderson and Michael Beil, with performers Nadar Ensemble, Dublin Sound Lab and more. Adrian Smith reviews.
Composer Roger Doyle has just released a second volume of works inspired by Joyce's 'Finnegans Wake'. Brendan Finan reviews.
Martin Hayes and his new group the Common Ground Ensemble have just released their first album together, 'Peggy’s Dream'. Adrian Scahill reviews.
The Ulster Orchestra and pianist Clare Hammond, conducted by Jamie Phillips, gave the world premiere of Piers Hellawell's 'Rapprochement' last week. Thomas Neill reviews.
Lankum's fourth studio album, 'False Lankum', is a refinement of their sound more than it is something radically new, but there are many other achievements, writes James Camien McGuiggan.
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