Adrian Smith

Adrian Smith is Lecturer in Musicology at TU Dublin Conservatory of Music and Drama.

A Winter Highlight
The 9th Fidelio Trio Winter Chamber Music Festival took place last weekend with featured artist Francesco Paolo Scola and works by Kevin Volans, Irene Buckley, Berio, Ustvolskaya, Stravinsky, Korngold and more. Adrian Smith reviews.
Imagination Runs Wild
Irish National Opera have just released a film version online of Gerald Barry's anarchic opera 'Alice’s Adventures Under Ground', with Claudia Boyle as Alice. Adrian Smith reviews.
Hollowed Out by Her Past
Donnacha Dennehy and Enda Walsh's new opera, 'The First Child', premiered at the Dublin Theatre Festival at the weekend. Adrian Smith reviews.
A Glimpse into Her Inner World
A collection of songs by Ina Boyle has been just released on Delphian Records and features Paula Murrihy, Robin Tritschler, Ben McAteer and Iain Burnside performing 33 works by the twentieth-century Irish composer. Adrian Smith reviews.
Between Oppositions
In July, the Dutch Ragazze Quartet premiered Garth Knox's new work 'Four Into Twenty' as part of the online West Cork Chamber Music Festival. Adrian Smith reviews.
Midsummer Reinvention
The world premiere of David Fennessy's 'Rosewoods' for guitar and orchestra took place on Monday 21 June as part of the Dublin International Chamber Music Festival. Adrian Smith reviews.
Music Worth Making
The 8th edition of New Music Dublin, Ireland's largest festival of contemporary music, took place on 23–26 April, this time online. With 33 world premieres and a weekend full of concerts, did it manage to maintain the momentum of recent years? Adrian Smith reviews.
Our Predicament in Sharp Focus
Composer Nick Roth's new work 'Crann' is a poem setting and film work for three voices, tree, vessel and currach, commissioned by the literary festival IMRAM. Adrian Smith reviews.
Shots of Politics and Loss in New Irish Opera
Responding to the circumstances of the pandemic, Irish National Opera recently commissioned twenty new miniature operas from composers in Ireland that were filmed and premiered online as '20 Shots of Opera'. Adrian Smith reviews all twenty works.
Risks in the Wild
Composer Ian Wilson's new album 'Wild is the Wind' has just been released on Diatribe Records. Adrian Smith reviews.
The Enduring Vision of Julius Eastman
This week, in a livestream from the National Concert Hall, Crash Ensemble performed 'Femenine' by the black American composer Julius Eastman whose career was cut tragically short. Adrian Smith reviews.
Ethereal and Melancholic
Irish composer Linda Buckley this week releases 'From Ocean's Floor', a new album of electronic and chamber work on the NMC label. Adrian Smith reviews.
The Bishop's Zeal
The recently released album 'The Red Book of Ossory' by Anakronos is a meeting of medieval music and jazz, inspired by the curious fourteenth-century poems by Richard de Ledrede. Adrian Smith reviews.
New Music Up a Notch
Ireland's largest contemporary music festival New Music Dublin took place at the National Concert Hall and nearby venues last weekend and featured twenty concerts and twenty-two world premieres. Adrian Smith reviews.
Miracle in Drumcondra
The 7th Fidelio Trio Winter Chamber Music Festival took place last weekend, featuring the Apple Hill String Quartet and world premieres by Brian Irvine and Louis Karchin. Adrian Smith reviews the Saturday and Sunday concerts.
Missing the Main Theme
John Kinsella's 11th symphony received its world premiere last weekend, conducted by Jean Deroyer. Adrian Smith reviews.
Where is All the New Orchestral Music?
The amount of new work commissioned and performed by the RTÉ National Symphony Orchestra has dropped significantly in recent years. Such short-termism affects our musical culture and the generations to come, writes Adrian Smith.
The Kiss of a Witch
Raymond Deane's new opera 'Vagabones' received its premiere last week at the Civic Theatre. Adrian Smith reviews.
Composer Discovers Orchestra!
Gerald Barry's Viola Concerto received its world premiere last week, performed by Lawrence Power and the Britten Sinfonia with Thomas Adès conducting. It's Barry's third concerto in recent years and it may be 'the wackiest of the lot', writes Adrian Smith.
No Magical Ending for Irish National Opera's Season
Irish National Opera concluded its January to May short season with 'The Magic Flute' at the Gaiety last week, but it was a disappointing final production with questionable directorial decisions, writes Adrian Smith.
Skating Around New Audiences
Crash Ensemble continue to reach out to new listeners, most recently in a concert dedicated to music related to skateboarding. Adrian Smith reviews the film and music event which featured new work by Sam Perkin and Jennifer Walshe.
Adventures in the New Music Fringe
The Music Current contemporary music festival – which took place last week in Dublin – has a radicalism in curation that can give listeners a real feeling of discovery. Adrian Smith reviews the four days and asks: can it grow its 'fringe' status in the Irish new music scene?
How Sounding the Feminists Put Music and Gender in the Spotlight
In less than two years, the Sounding the Feminists movement has changed the conversation in the Irish contemporary music scene and put the issue of gender equality and composers firmly on the musical map, but, asks Adrian Smith, can it have a long-term impact without more support from the music community?
The New Music Festival Ireland Deserves?
New Music Dublin 2019 featured four days of contemporary music including over twenty-two world premieres. Does Ireland now have the new music festival it deserves? Adrian Smith provides a comprehensive review of 15 events, with additions for two concerts from Ryan Molloy and Toner Quinn.
More to Unite Than Divide
The latest concert in the Female Composers Series at the NCH featured works by composers of the Belle Époque – from Lili Boulanger to Mélanie Bonis – illuminating our understanding of the music of the period, writes Adrian Smith.
'Tired of the confrontational': An Interview with Seán Clancy
The Journal of Music recently published an extensive interview with the composer Raymond Deane in which he was critical of the new generation of Irish composers, describing some of their work as ‘unchallenging’. In this interview, Adrian Smith interviews Seán Clancy, a composer of the new generation, about his work, Deane’s views, and the music of new Irish composers.
How Not to Market Classical Music
The marketing of orchestral concerts is becoming increasingly whimsical and condescending in an attempt to make classical music more accessible, but audiences deserve more respect, argues Adrian Smith.
Not Your Ordinary Megalomaniacal Psycho
Irish National Opera presented the Irish staged premiere of Bartók's 'Bluebeard’s Castle' on 12–14 October, with its luminous music and dark folk-tale of castle doors revealing the inner world of the protagonist. The production came with a twist, however, writes Adrian Smith.
New Music on the Margins
The 'Music of Our Time' concerts struggle to find an audience on mid-week afternoons. Adrian Smith examines how a lack of regard for new music and a lack of vision impact the series.
Against Resignation: An Interview with Raymond Deane
Is there a lack of solidarity among composers? Will classical music ever become a part of Ireland's national consciousness? And have young Irish composers unwittingly subscribed to a code of musical prohibitions influenced by the US? In a wide-ranging interview, Raymond Deane, whose new opera 'Vagabones' will be premiered in 2019, discusses aesthetics, politics and occasional strokes of good luck with Adrian Smith.