CMAT Sees Us Through Irish pop singer CMAT's debut album went to number one in the Irish charts in its very first week. An original songwriter with a witty online presence, she has come to mean even more than that for her fans, writes Shannon McNamee.
Dublin Theatres Were Wrong to Cancel Russian Ballets A cultural boycott of Russia has been emerging over the past two weeks following the invasion of Ukraine, but we have to reflect on how it is being implemented and what it hopes to achieve, writes Adrian Smith.
Sophisticated Sound World The viola player Constantin Zanidache, founder member of the Academica Quartet and a former teacher at MTU Cork School of Music, recently gave a recital of Bach and John Kinsella in the Curtis Auditorium. Geoffrey Spratt reviews.
Against Typecasting Malachy Robinson's recent album 'The Irish Double Bass' features works by his grandfather Joseph Groocock, Eoghan Desmond, John Kinsella, Ian Wilson, Kevin O'Connell, Judith Ring, Deirdre Gribbin, and Ryan Molloy. Brendan Finan reviews.
Drawing on a Host of Traditions The Fidelio Trio have recently released an album of chamber music by Ernest Moeran with works dating from the 1920s to the 40s. James Camien McGuiggan reviews.
Different Words for Cello Worlds The Spike alternative cello festival took place in Dublin on the weekend of 11–13 February. Brendan Finan reviews the Saturday night performance at the Pepper Canister featuring Ayanna Witter-Johnson, Martin Johnson and Adrian Mantu.
The Darkness She Creates Síobhra Quinlan, performing as sfiiinx, has just released her debut album 'The Magma Chamber' on the Ergodos label. Andrea Cleary reviews.
What is the Future for the National Symphony Orchestra? The National Symphony Orchestra has now officially transferred from RTÉ to the National Concert Hall. What does it mean for the future of the group? Adrian Smith explores the question and suggests six ways that the NSO could have a positive start in its new home.
Remembering Stanford Music for Galway's annual Midwinter Festival took place last weekend (21–23 January) and focused on the Irish composer Charles Villiers Stanford. James Camien McGuiggan reviews.
Every Character in Their Own Prison The opening night of Irish National Opera's production of Vivaldi's 'Bajazet' took place in Navan this week. Brendan Finan reviews.