Drawing on a Host of Traditions The Fidelio Trio have recently released an album of chamber music by Ernest Moeran with works dating from the 1920s to the 40s. James Camien McGuiggan reviews.
Different Words for Cello Worlds The Spike alternative cello festival took place in Dublin on the weekend of 11–13 February. Brendan Finan reviews the Saturday night performance at the Pepper Canister featuring Ayanna Witter-Johnson, Martin Johnson and Adrian Mantu.
The Darkness She Creates Síobhra Quinlan, performing as sfiiinx, has just released her debut album 'The Magma Chamber' on the Ergodos label. Andrea Cleary reviews.
What is the Future for the National Symphony Orchestra? The National Symphony Orchestra has now officially transferred from RTÉ to the National Concert Hall. What does it mean for the future of the group? Adrian Smith explores the question and suggests six ways that the NSO could have a positive start in its new home.
Remembering Stanford Music for Galway's annual Midwinter Festival took place last weekend (21–23 January) and focused on the Irish composer Charles Villiers Stanford. James Camien McGuiggan reviews.
Every Character in Their Own Prison The opening night of Irish National Opera's production of Vivaldi's 'Bajazet' took place in Navan this week. Brendan Finan reviews.
Sketching the Lives of Forgotten Women Pipers TG4 recently broadcast 'Mná na bPíob', a documentary in which musician Louise Mulcahy explores the lives of female uilleann pipers from the past. Adrian Scahill reviews.
The Manipulation of Music Goes On RTÉ recently broadcast a new documentary on the Irish folk revival, titled 'The Flourishing'. Toner Quinn reviews.
A Reminder of All That is Great The Other Voices festival celebrated twenty years this year, with a weekend of live music in Dingle just before the latest restrictions. Andrea Cleary reviews.
Capturing the Darkness and Lightness of Maxwell Davies Peter Maxwell Davies' 'The Lighthouse', Irish National Opera's most recent production which ends its national tour this week, is based on a true story about keepers who go missing without a trace. James Camien McGuiggan reviews.